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One Page Bio (661 words) [download pdf]

Composer Neil Rolnick pioneered in the use of computers in musical performance, beginning in the late 1970s. Based in New York City since 2002, his music has been performed world wide, including recent performances in China, Mexico and across the US and Europe. His string quartet Oceans Eat Cities was performed at COP21, the UN Global Climate Summit in Paris in Dec. 2015. In 2016 and 2017 he was awarded an ArtsLink Grant for a residency in Belgrade, Serbia, a New Music USA Project Grant for a new piece with the Deviant Septet and soprano Mellissa Hughes, and an artist residency at the Bogliasco Foundation’s Liguria Study Center near Genoa, Italy. In 2019 he received an Individual Artist Grant from the New York State Council on the Arts, through the Tribeca New Music Festival, for a new work for pianist Geoff Burleson.

Rolnick’s music often explores combinations of digital sampling, interactive multimedia, and acoustic vocal, chamber and orchestral works. In the 1980s and ‘90s he developed the first integrated electronic arts graduate and undergraduate programs in the US, at Rensselaer Polytechnic Institute’s iEAR Studios, in Troy, NY. Rolnick’s innovation as an educator was to bring together the commonality of artistic creation across many disciplines, and this led to his varied work with filmmakers, writers, and video and media artists.

Though much of Rolnick’s work has been in areas which connect music and technology, and is therefore considered in the realm of “experimental” music, his music has always been highly melodic and accessible. Whether working with electronic sounds, acoustic ensembles, or combinations of the two, his music has been characterized by critics as “sophisticated,” “hummable and engaging,” and as having “good senses of showmanship and humor.”

Rolnick was sidelined for most of 2018, caring for his wife of 45 years who passed away that summer. In early 2019 he commemorated her memory with a solo laptop piece, Messages, which repurposes phone messages from before and during her illness.

In 2018 he wrote Declaration, a setting of the Declaration of Independence, for the School of Visual Arts in NYC. In 2017 Rolnick completed Deal With The Devil for pianist Kathleen Supové and violinist Jennifer Choi, and Mirages for solo pianist and computer.

In 2014 and 2015 Rolnick completed Oceans Eat Cities (2015), commissioned by the Tribeca New Music Festival, Cello Ex Machina (2015), Silicon Breath (2014), commissioned by the New York State Council on the Arts, Dynamic RAM & Concert Grand (2014), commissioned by the Fromm Foundation, and two solo laptop performance pieces, O Brother! and WakeUp. All of these, except Oceans Eat Cities, were on his 20th CD, Ex Machina, released by Innova in 2016. 2014 also saw the second digital release of Rolnick’s iFiddle Concerto, from the American Composers Orchestra, featuring violinist Todd Reynolds.

In 2012 and 2013 Rolnick wrote and recorded Gardening At Gropius House, commissioned by the Juilliard School and released on Innova. The CD also includes Anosmia, commissioned by the San Francisco Conservatory for the Hoefer Prize in 2010, for 3 singers, large ensemble and computer.

Neil Rolnick was born in 1947, in Dallas, Texas. He earned a BA in English literature from Harvard College in 1969. He studied musical composition with Darius Milhaud at the Aspen Music School, with John Adams and Andrew Imbrie at the San Francisco Conservatory, and with Richard Felciano and Olly Wilson at UC Berkeley, where he earned a PhD in musical composition in 1980. He studied computer music at Stanford with John Chowning and James A. Moorer, and worked as a researcher at IRCAM in Paris, France, from 1977 to 1979. From 1981-2013 he was a Professor of Music at Rensselaer Polytechnic Institute.

500 Word Bio [download pdf]

Composer Neil Rolnick pioneered the use of computers in musical performance, beginning in the late 1970s. Based in New York City since 2002, his music has been performed world wide, including recent performances in France, China, Mexico and across the US. His string quartet Oceans Eat Cities was performed at the UN Global Climate Summit in Paris in 2015. In 2016 he was awarded an ArtsLink residency in Belgrade, Serbia. In 2017 he was a fellow at the Bogliasco Foundation in Italy, and received a New Music USA Project Grant for a new monodrama for the Deviant Septet and soprano Mellissa Hughes. He has released 20 CDs of his music.

Rolnick has often included unexpected and unusual combinations of materials and media in his music, exploring combinations of digital sampling, interactive multimedia, and acoustic vocal, chamber and orchestral works. Throughout the 1980s and ‘90s he was responsible for the development of the first integrated electronic arts graduate and undergraduate programs in the US, at Rensselaer Polytechnic Institute’s iEAR Studios, in Troy, NY.

Though much of Rolnick’s work has been in areas which connect music and technology, and is therefore considered in the realm of “experimental” music, his music has always been highly melodic and accessible. Whether working with electronic sounds, acoustic ensembles, or combinations of the two, his music has been characterized by critics as “sophisticated,” “hummable and engaging,” and as having “good senses of showmanship and humor.”

Rolnick was sidelined for most of 2018, caring for his wife of 45 years who passed away that summer. In early 2019 he commemorated her memory with a solo laptop piece, Messages, which repurposes phone messages from before and during her illness.

In 2018 he wrote Declaration, a setting of the Declaration of Independence, for the School of Visual Arts in NYC. In 2017 Rolnick completed Deal With The Devil for pianist Kathleen Supové and violinist Jennifer Choi, and Mirages for solo pianist and computer.

In 2014 and 2015 Rolnick completed Oceans Eat Cities, Cello Ex Machina, Silicon Breath, Dynamic RAM & Concert Grand, and two solo laptop performance pieces, O Brother! and WakeUp.

From 2010 to 2015 Rolnick received the Hoefer Prize from the San Francisco Conservatory of Music, a NY Foundation for the Arts Fellowship, a Fromm Foundation Commission, and a NY State Council on the Arts Commission, and held residencies at the MacDowell Colony, Ucross, Djerassi and Virginia Center for Creative Arts.

Neil Rolnick was born in 1947, in Dallas, Texas. He earned a BA in English from Harvard College in 1969. He studied composition with Darius Milhaud at the Aspen Music School, with John Adams and Andrew Imbrie at the San Francisco Conservatory, and with Richard Felciano and Olly Wilson at UC Berkeley, where he earned a PhD in musical composition in 1980. He studied computer music at Stanford with John Chowning and James A. Moorer, and worked as a researcher at IRCAM in Paris, France, from 1977-79. From 1981-2013 he was a Professor of Music at Rensselaer.

300 Word Bio [download pdf]

Composer Neil Rolnick pioneered the use of computers in musical performance, beginning in the late 1970s. Based in New York City since 2002, his music has been performed world wide, including recent performances in France, China, Mexico and across the US. His string quartet Oceans Eat Cities was performed at the UN Global Climate Summit in Paris in 2015. In 2016 he was awarded an ArtsLink residency in Belgrade, Serbia. In 2017 he was a fellow at the Bogliasco Foundation in Italy, and received a New Music USA Project Grant. In 2019 he received a NYSCA Individual Artist Grant. He has released 20 CDs of his music.

Rolnick’s music has often included unexpected and unusual combinations of materials and media. His work ranges from digital sampling and interactive multimedia to acoustic vocal, chamber and orchestral works. Throughout the 1980s and ‘90s he was responsible for the development of the first integrated electronic arts graduate and undergraduate programs in the US, at Rensselaer Polytechnic Institute’s iEAR Studios, in Troy, NY.

Though much of his work connects music and technology, and is therefore considered in the realm of “experimental” music, it has always been highly melodic and accessible. Whether working with electronic sounds, acoustic ensembles, or combinations of the two, his music has been characterized by critics as “sophisticated,” “hummable and engaging,” and as having “good senses of showmanship and humor.”

Neil Rolnick was born in 1947, in Dallas, Texas. He earned a BA in English from Harvard in 1969. He studied composition with Darius Milhaud at the Aspen Music School, and with John Adams at the San Francisco Conservatory. He earned a PhD in musical composition in 1980 from UC Berkeley. He studied computer music at Stanford with John Chowning, and was a researcher at IRCAM in Paris, France, from 1977-79.

150 Word Bio [download pdf]

Composer Neil Rolnick pioneered the use of computers in musical performance, beginning in the late 1970s. Based in New York City since 2002, his music has been performed world wide, including recent performances in China and Mexico and across the US. His string quartet Oceans Eat Cities was performed at the UN Global Climate Summit in Paris in Dec. 2015. From 2016 to 2019 he received support from CEC ArtsLink, the Bogliasco Foundation, New Music USA and NYSCA.

Throughout the 1980s and ‘90s he developed the first integrated electronic arts graduate and undergraduate programs in the US, at Rensselaer Polytechnic Institute.

Though much of his work connects music and technology, and is therefore considered in the realm of “experimental” music, Rolnick’s music has always been highly melodic and accessible, and has been characterized by critics as “sophisticated,” “hummable and engaging,” and as having “good senses of showmanship and humor.”